I had been looking forward to this film since 2006 when James Cameron began working on the script. My expectations were significantly heightened after learning that Cameron, the director of Aliens, the first two Terminator movies, and Titanic, was drawing inspiration from Japan -- namely through such directors as Mamoru Oshii (Ghost in the Shell) and Hayao Miyazaki (Princess Mononoke and Spirited Away).

I was particularly interested to see if Cameron could pull off the Miyazaki. As fans of his films know, there's nothing quite like a Miyazaki picture; they are as delightful, provocative and as imaginative as they come. Not since the early days of Disney have animated films been so good. Miyazaki weaves a magical touch that has eluded Hollywood since their Golden Age (think Pinocchio and Snow White).

After watching Avatar, I can honestly say that Cameron gave it a good shot. The Pandoran jungle was as atmospheric and alive as anything that Miyazaki has ever produced. The 3D element added an immersive and visceral component that was particularly powerful; there were times when I truly felt lost in the jungle alongside Jake and Neytiri. The bioluminescent forest was truly jaw dropping.

Further, the tastefulness and care with which Cameron added the CG elements is unparalleled (with a tip of the hat to Lord of the Rings). This is the kind of film that George Lucas could watch but not have the slightest clue as to why Cameron's CG works and his does not. Cameron, unlike Lucas, has learned to weave the fabric of all on-screen elements into context such that nothing is superfluous and everything adds to the entire composition and story. Where Lucas works to bash viewers over the head with a 'look what I can do!' approach to movie making, Cameron has taken a more thoughtful and artistic course.






Take, for example, the floating seeds that land on Jake when he first meets Neytiri. I was genuinely moved by the delicacy and beauty of each tiny seedling as it floated through the air. Moreover, my feelings were heightened after learning about the sacred status of the seeds and the implication to the story. This is exactly the kind of aesthetic moment I imagined when I thought about the potential for CGI back when it was first introduced so many years ago.

Spoilers follow.